Exodus37
New King James Version
1 Then Bezalel made the ark of acacia wood; two and a half cubits was its length, a cubit and a half its width, and a cubit and a half its height.
2 He overlaid it with pure gold inside and outside, and made a molding of gold all around it.
3 And he cast for it four rings of gold to be set in its four corners: two rings on one side, and two rings on the other side of it.
4 He made poles of acacia wood, and overlaid them with gold.
5 And he put the poles into the rings at the sides of the ark, to bear the ark.
6 He also made the mercy seat of pure gold; two and a half cubits was its length and a cubit and a half its width.
7 He made two cherubim of beaten gold; he made them of one piece at the two ends of the mercy seat:
8 one cherub at one end on this side, and the other cherub at the other end on that side. He made the cherubim at the two ends of one piece with the mercy seat.
9 The cherubim spread out their wings above, and covered the mercy seat with their wings. They faced one another; the faces of the cherubim were toward the mercy seat.
10 He made the table of acacia wood; two cubits was its length, a cubit its width, and a cubit and a half its height.
11 And he overlaid it with pure gold, and made a molding of gold all around it.
12 Also he made a frame of a handbreadth all around it, and made a molding of gold for the frame all around it.
13 And he cast for it four rings of gold, and put the rings on the four corners that were at its four legs.
14 The rings were close to the frame, as holders for the poles to bear the table.
15 And he made the poles of acacia wood to bear the table, and overlaid them with gold.
16 He made of pure gold the utensils which were on the table: its dishes, its cups, its bowls, and its pitchers for pouring.
17 He also made the lampstand of pure gold; of hammered work he made the lampstand. Its shaft, its branches, its bowls, its ornamental knobs, and its flowers were of the same piece.
18 And six branches came out of its sides: three branches of the lampstand out of one side, and three branches of the lampstand out of the other side.
19 There were three bowls made like almond blossoms on one branch, with an ornamental knob and a flower, and three bowls made like almond blossoms on the other branch, with an ornamental knob and a flower—and so for the six branches coming out of the lampstand.
20 And on the lampstand itself were four bowls made like almond blossoms, each with its ornamental knob and flower.
21 There was a knob under the first two branches of the same, a knob under the second two branches of the same, and a knob under the third two branches of the same, according to the six branches extending from it.
22 Their knobs and their branches were of one piece; all of it was one hammered piece of pure gold.
23 And he made its seven lamps, its wick-trimmers, and its trays of pure gold.
24 Of a talent of pure gold he made it, with all its utensils.
25 He made the incense altar of acacia wood. Its length was a cubit and its width a cubit—it was square—and two cubits was its height. Its horns were of one piece with it.
26 And he overlaid it with pure gold: its top, its sides all around, and its horns. He also made for it a molding of gold all around it.
27 He made two rings of gold for it under its molding, by its two corners on both sides, as holders for the poles with which to bear it.
28 And he made the poles of acacia wood, and overlaid them with gold.
29 He also made the holy anointing oil and the pure incense of sweet spices, according to the work of the perfumer.
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Exodus 37Public-domain commentary and original-language notes for Exodus 37. The full AI study guide (summary, themes, context) has its own page.
Chapter Summary
In this chapter: The making of the ark, and the furniture of the tabernacle. (1-29).
vv1-29
In the furniture of the tabernacle were emblems of a spiritual and acceptable service. The incense represented the prayers of the saints. The sacrifice of the alter represented the Lamb of God that taketh away the sins of the world. The golden pot with manna, or bread from heaven, the flesh of Jesus Christ, which he gave for the life of the world. The candlestick, with its lights, the teaching and enlightening of the Holy Spirit. The shew-bread represented that provision for those who hunger and thirst after righteousness, which the gospel, the ordinances and the sacraments of the house of prayer, abundantly bestow. The exactness of the workmen to their rule, should be followed by us; seeking for the influences of the Holy Spirit, that we may rejoice in and glorify God while in this world, and at length be with him for ever.
Key Words
בְּצַלְאֵל: Betsalel, the name of two Israelites
עָשָׂה: to do or make, in the broadest sense and widest application
אָרוֹן: a box
שִׁטָּה: the acacia (from its scourging thorns)
עֵץ: a tree (from its firmness); hence, wood (plural sticks)
אַמָּה: properly, a mother (i.e. unit of measure, or the fore-arm (below the elbow), i.e. a cubit; also a door-base (as a bond of the entrance)
חֵצִי: the half or middle
אֹרֶךְ: length
רֹחַב: width (literally or figuratively)
קוֹמָה: height
Cross References
Exodus 37The original instructions and blueprint for constructing the ark of shittim wood.
Supported by JFB, Matthew Poole
The original instructions for crafting the mercy seat and the beaten-gold cherubims.
Supported by JFB, Matthew Poole
The original instructions for the table of showbread and its vessels.
Supported by JFB
The original design specifications for the golden candlestick, branches, and bowls.
Supported by JFB
The original command and measurements for the golden altar of incense.
Supported by JFB
The divine recipes and restrictions for the holy anointing oil and sweet incense.
Supported by JFB
New Testament description of the cherubims of glory overshadowing the mercy seat.
Supported by JFB
Epistle to the Hebrews outlining the table and candlestick in the sanctuary.
Supported by JFB
Thematic link between the burning of sweet incense and acceptable prayers of the saints.
Supported by Matthew Henry
Symbolized by cherubims looking toward the mercy seat, angels desire to look into salvation.
Supported by JFB