Psalms33
English Standard Version
1Shout for in the Lord, O you ! the .
2 to the Lord with the ; to him with the of !
3 to him a ; on the , with loud .
4 the of the Lord is , and his is done in .
5He and ; the is of the of the Lord.
6By the of the Lord the were , and by the of his their .
7He the of the as a ; he the in .
8Let the Lord; let of the stand in of him!
9 he , and it came to be; he , and it .
10The Lord the of the to ; he the of the .
11The of the Lord , the of his to .
12 is the is the Lord, the whom he has as his !
13The Lord down ; he the of ;
14 he sits he out on the of the ,
15he who the of them and their .
16The is by his ; a is by his .
17The war is a for , and by its it .
18 , the of the Lord is on those who him, on those who in his ,
19that he may their and keep them in .
20Our for the Lord; he is our and our .
21 our is in him, we in his .
22Let your , O Lord, be us, even we in you.
Cross References
Psalms 33Poole and JFB note 'Word' (Logos) in creation alludes to Christ making all things.
Supported by Matthew Poole, JFB
Poole links 'all the host of them' to the creation account of the host of heaven.
Supported by Matthew Poole
Direct sequel in theme and address: rejoicing in the Lord and uprightness.
Supported by JFB
Poole links God's goodness filling the earth with His universal kind providence to all.
Supported by Matthew Poole
JFB links the vanity of the war horse for safety to Job's description of horse strength.
Supported by JFB
JFB aligns the specific list of instruments (psaltery, ten strings) to parallel temple worship.
Supported by JFB
Poole connects the earth filled with God's goodness to His invisible attributes seen in creation.
Supported by Matthew Poole
Poole notes this as proof of God's universal witness of goodness filling the earth.
Supported by Matthew Poole
Poole identifies the 'breath of his mouth' with the agency of the Holy Spirit.
Supported by Matthew Poole
JFB notes the supreme power of God's spoken word ('He spake... it stood') matching Genesis.
Supported by JFB
JFB relates 'fashioneth their hearts' to God's ultimate control and direct knowledge of motives.
Supported by JFB
JFB links the call to sing a 'new song' with God's fresh deliverances.
Supported by JFB
JFB identifies this as a parallel call to sing a fresh, newly adapted song.
Supported by JFB
JFB links 'play skilfully' with David's noted skill in playing musical instruments.
Supported by JFB
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