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1 Kings 7

1 Kings7

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1 It took Solomon thirteen years, however, to complete the construction of his palace.

2 He built the Palace of the Forest of Lebanon a hundred cubits long, fifty wide and thirty high, with four rows of cedar columns supporting trimmed cedar beams.

3 It was roofed with cedar above the beams that rested on the columns—forty-five beams, fifteen to a row.

4 Its windows were placed high in sets of three, facing each other.

5 All the doorways had rectangular frames; they were in the front part in sets of three, facing each other.

6 He made a colonnade fifty cubits long and thirty wide. In front of it was a portico, and in front of that were pillars and an overhanging roof.

7 He built the throne hall, the Hall of Justice, where he was to judge, and he covered it with cedar from floor to ceiling.

8 And the palace in which he was to live, set farther back, was similar in design. Solomon also made a palace like this hall for Pharaoh’s daughter, whom he had married.

9 All these structures, from the outside to the great courtyard and from foundation to eaves, were made of blocks of high-grade stone cut to size and smoothed on their inner and outer faces.

10 The foundations were laid with large stones of good quality, some measuring ten cubits and some eight.

11 Above were high-grade stones, cut to size, and cedar beams.

12 The great courtyard was surrounded by a wall of three courses of dressed stone and one course of trimmed cedar beams, as was the inner courtyard of the temple of the Lord with its portico.

13 King Solomon sent to Tyre and brought Huram,

14 whose mother was a widow from the tribe of Naphtali and whose father was from Tyre and a skilled craftsman in bronze. Huram was filled with wisdom, with understanding and with knowledge to do all kinds of bronze work. He came to King Solomon and did all the work assigned to him.

15 He cast two bronze pillars, each eighteen cubits high and twelve cubits in circumference.

16 He also made two capitals of cast bronze to set on the tops of the pillars; each capital was five cubits high.

17 A network of interwoven chains adorned the capitals on top of the pillars, seven for each capital.

18 He made pomegranates in two rows encircling each network to decorate the capitals on top of the pillars. He did the same for each capital.

19 The capitals on top of the pillars in the portico were in the shape of lilies, four cubits high.

20 On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegranates in rows all around.

21 He erected the pillars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz.

22 The capitals on top were in the shape of lilies. And so the work on the pillars was completed.

23 He made the Sea of cast metal, circular in shape, measuring ten cubits from rim to rim and five cubits high. It took a line of thirty cubits to measure around it.

24 Below the rim, gourds encircled it—ten to a cubit. The gourds were cast in two rows in one piece with the Sea.

25 The Sea stood on twelve bulls, three facing north, three facing west, three facing south and three facing east. The Sea rested on top of them, and their hindquarters were toward the center.

26 It was a handbreadth in thickness, and its rim was like the rim of a cup, like a lily blossom. It held two thousand baths.

27 He also made ten movable stands of bronze; each was four cubits long, four wide and three high.

28 This is how the stands were made: They had side panels attached to uprights.

29 On the panels between the uprights were lions, bulls and cherubim—and on the uprights as well. Above and below the lions and bulls were wreaths of hammered work.

30 Each stand had four bronze wheels with bronze axles, and each had a basin resting on four supports, cast with wreaths on each side.

31 On the inside of the stand there was an opening that had a circular frame one cubit deep. This opening was round, and with its basework it measured a cubit and a half. Around its opening there was engraving. The panels of the stands were square, not round.

32 The four wheels were under the panels, and the axles of the wheels were attached to the stand. The diameter of each wheel was a cubit and a half.

33 The wheels were made like chariot wheels; the axles, rims, spokes and hubs were all of cast metal.

34 Each stand had four handles, one on each corner, projecting from the stand.

35 At the top of the stand there was a circular band half a cubit deep. The supports and panels were attached to the top of the stand.

36 He engraved cherubim, lions and palm trees on the surfaces of the supports and on the panels, in every available space, with wreaths all around.

37 This is the way he made the ten stands. They were all cast in the same molds and were identical in size and shape.

38 He then made ten bronze basins, each holding forty baths and measuring four cubits across, one basin to go on each of the ten stands.

39 He placed five of the stands on the south side of the temple and five on the north. He placed the Sea on the south side, at the southeast corner of the temple.

40 He also made the pots and shovels and sprinkling bowls. So Huram finished all the work he had undertaken for King Solomon in the temple of the Lord:

41 the two pillars; the two bowl-shaped capitals on top of the pillars; the two sets of network decorating the two bowl-shaped capitals on top of the pillars;

42 the four hundred pomegranates for the two sets of network (two rows of pomegranates for each network decorating the bowl-shaped capitals on top of the pillars);

43 the ten stands with their ten basins;

44 the Sea and the twelve bulls under it;

45 the pots, shovels and sprinkling bowls. All these objects that Huram made for King Solomon for the temple of the Lord were of burnished bronze.

46 The king had them cast in clay molds in the plain of the Jordan between Sukkoth and Zarethan.

47 Solomon left all these things unweighed, because there were so many; the weight of the bronze was not determined.

48 Solomon also made all the furnishings that were in the Lord’s temple: the golden altar; the golden table on which was the bread of the Presence;

49 the lampstands of pure gold (five on the right and five on the left, in front of the inner sanctuary); the gold floral work and lamps and tongs;

50 the pure gold basins, wick trimmers, sprinkling bowls, dishes and censers; and the gold sockets for the doors of the innermost room, the Most Holy Place, and also for the doors of the main hall of the temple.

51 When all the work King Solomon had done for the temple of the Lord was finished, he brought in the things his father David had dedicated—the silver and gold and the furnishings—and he placed them in the treasuries of the Lord’s temple.

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1 Kings 7

Public-domain commentary and original-language notes for 1 Kings 7. The full AI study guide (summary, themes, context) has its own page.

Chapter Summary

In this chapter: Solomon's buildings. (1–12). Furniture of the temple. (13–47). Vessels of gold. (48–51).

vv1-12

All Solomon's buildings, though beautiful, were intended for use. Solomon began with the temple; he built for God first, and then his other buildings. The surest foundations of lasting prosperity are laid in early piety. He was thirteen years building his house, yet he built the temple in little more than seven years; not that he was more exact, but less eager in building his own house, than in building God's. We ought to prefer God's honour before our own ease and satisfaction.

vv13-47

The two brazen pillars in the porch of the temple, some think, were to teach those that came to worship, to depend upon God only, for strength and establishment in all their religious exercises. “Jachin,” God will fix this roving mind. It is good that the heart be established with grace. “Boaz,” In him is our strength, who works in us both to will and to do. Spiritual strength and stability are found at the door of God's temple, where we must wait for the gifts of grace, in use of the means of grace. Spiritual priests and spiritual sacrifices must be washed in the laver of Christ's blood, and of regeneration. We must wash often, for we daily contract pollution. There are full means provided for our cleansing; so that if we have our lot for ever among the unclean it will be our own fault. Let us bless God for the fountain opened by the sacrifice of Christ for sin and for uncleanness.

vv48-51

Christ is now the Temple and the Builder; the Altar and the Sacrifice; the Light of our souls, and the Bread of life; able to supply all the wants of all that have applied or shall apply to him. Outward images cannot represent, words cannot express, the heart cannot conceive, his preciousness or his love. Let us come to him, and wash away our sins in his blood; let us seek for the purifying grace of his Spirit; let us maintain communion with the Father through his intercession, and yield up ourselves and all we have to his service. Being strengthened by him, we shall be accepted, useful, and happy.

Cross References

1 Kings 7
v11 Kings 6:38contrast

Contrasts the thirteen years spent on Solomon's palace with the seven years spent on the temple.

Supported by Matthew Poole, JFB

Discusses Hiram's mixed lineage, reconciling his mother's ties to Dan and Naphtali.

Supported by JFB

Provides the parallel description of the brazen pillars, Jachin and Boaz.

Supported by JFB

v2Isaiah 22:8thematic

Identifies the House of the Forest of Lebanon as Jerusalem's chief armory and repository of shields.

Supported by Matthew Poole

v21 Kings 10:17thematic

Confirms Solomon's golden shields were stored within the House of the Forest of Lebanon.

Supported by Matthew Poole

v81 Kings 9:24thematic

Records the relocation of Pharaoh's daughter to her specially prepared, costly palace.

Supported by Matthew Poole

Describes the detailed measurements and hollow nature of the brazen pillars prior to exile.

Supported by JFB

v21Revelation 3:12typology

Spiritual fulfillment of the stable pillars in the temple, representing overcomers established in God.

Supported by Matthew Henry

v232 Chronicles 4:2thematic

Parallel account of the construction of the massive bronze molten sea.

Supported by JFB

v262 Chronicles 4:5thematic

Parallel account detailing the liquid capacity and lily-wrought brim of the molten sea.

Supported by JFB

Parallel account of casting the heavy brass vessels in the Jordan clay ground.

Supported by JFB

v71 Kings 6:3thematic

Compares the architectural layout of the temple porch to the judgment porch.

Supported by Matthew Poole

v82 Kings 20:4thematic

Identifies the Middle Court situated between the King's palace and the temple.

Supported by Matthew Poole

v14Exodus 31:3thematic

Compares Hiram's divine enablement and artistic wisdom to Bezalel's Tabernacle craftsmanship.

Supported by Matthew Henry