1 Chronicles25
English Standard Version
Tap any underlined word for the original Hebrew or Greek.
1 and the of the also for the the of , and of , and of , who with , with , and with . The of those who the and of their was:
2 Of the of : , , , and , of , of , who of the .
3 Of , the of : , , , Shimei, , and , , of their , who with the in to the Lord.
4 Of , the of : , , , and , , , , , and , , , , .
5 were the of the , according to the of to him, for had and .
6 They were the of their in the in the of the Lord with , , and for the of the of . , , and were the of the .
7 The of them along with their , who were in to the Lord, who were , was .
8 And they for their , and , and .
9 The for to ; the to , to him and his and his , ;
10 the to , his and his , ;
11 the to , his and his , ;
12 the to , his and his , ;
13 the to , his and his , ;
14 the to , his and his , ;
15 the to , his and his , ;
16 the to , his and his , ;
17 the to , his and his , ;
18 the to , his and his , ;
19 the to , his and his , ;
20 to the , , his and his , ;
21 to the , , his and his , ;
22 to the , to , his and his , ;
23 to the , to , his and his , ;
24 to the , to , his and his , ;
25 to the , to , his and his , ;
26 to the , to , his and his , ;
27 to the , to , his and his , ;
28 to the , to , his and his , ;
29 to the , to , his and his , ;
30 to the , to , his and his , ;
31 to the , to , his and his , .
People in this chapter — 26
All people →Study
1 Chronicles 25Public-domain commentary and original-language notes for 1 Chronicles 25. The full AI study guide (summary, themes, context) has its own page.
Chapter Summary
In this chapter: The singers and musicians. (1-31).
vv1-31
David put those in order who were appointed to be singers and musicians in the temple. To prophesy, in this place, means praising God with great earnestness and devout affections, under the influences of the Holy Spirit. In raising these affections, poetry and music were employed. If the Spirit of God do not put life and fervour into our devotions, they will, however ordered, be a lifeless, worthless form.
Key Words
דָּוִד: David, the youngest son of Jesse
שַׂר: a head person (of any rank or class)
צָבָא: a mass of persons (or figuratively, things), especially reg. organized forwar (an army); by implication, a campaign, literally or figuratively (specifically, hardship, worship)
בָּדַל: to divide (in variation senses literally or figuratively, separate, distinguish, differ, select, etc.)
עֲבֹדָה: work of any kind
בֵּן: a son (as a builder of the family name), in the widest sense (of literal and figurative relationship, including grandson, subject, nation, quality or condition, etc., (like father or brother), etc.)
אָסָף: Asaph, the name of three Israelites, and of the family of the first
הֵימָן: Heman, the name of at least two Israelites
יְדוּתוּן: Jeduthun, an Israelite
נָבָא: to prophesy, i.e. speak (or sing) by inspiration (in prediction or simple discourse)
Cross References
1 Chronicles 25Illuminates musical 'prophesying' under the influence of the Holy Spirit, connected to the sons of the prophets.
Supported by Matthew Poole, JFB
Shows historical precedent of musical instruments used to stir and awaken the prophetic spirit.
Supported by Matthew Poole, JFB
Explains the biblical equivalence between the terms 'seer' and 'prophet' as applied to Heman.
Supported by Matthew Poole
Identifies other royal seers of David (like Gad) matching Heman's title 'the king's seer'.
Supported by JFB
Establishes the appointments of the three primary musical leads: Asaph, Heman, and Ethan/Jeduthun.
Supported by Matthew Poole
Confirms their specific musical instruments (cymbals of brass) matching their service assignments.
Supported by Matthew Poole
Identifies the assembled 'captains' and princes of Israel present to establish these sacred orders.
Supported by Matthew Poole, JFB
Illuminates the inclusion of Heman's daughters in the sacred choir alongside the male singers.
Supported by JFB
Explains how the 288 skilled musicians directed the broader host of 4,000 levitical singers.
Supported by Matthew Poole, JFB
Parallel structure of casting lots impartially, similar to the ordering of the priests.
Supported by JFB